07-06-2022, 07:55 AM
Jaipur is declared as world heritage city by UNESCO in year 2019
The walled city of Jaipur, in India’s north-western state of Rajasthan was founded in 1727 by Sawai Jai Singh II. Unlike other cities in the region located in hilly terrain, Jaipur was established on the plain and built according to a grid plan interpreted in the light of Vedic architecture. The streets feature continuous colonnaded businesses that intersect in the centre, creating large public squares called chaupars. Markets, shops, residences and temples built along the main streets have uniform facades. The city's urban planning shows an exchange of ideas from ancient Hindu and early modern Mughal as well as Western cultures. The grid plan is a model that prevails in the West, while the organization of the different city sectors (chowkris) refers to traditional Hindu concepts. Designed to be a commercial capital, the city has maintained its local commercial, artisanal and cooperative traditions to this day.
Definitely not for international visibility or UNESCO branding as it already has both. The sole intention of inscribing Jaipur on WH is to protect and safe gaurd its Outstanding Universal Value which seemed to be getting lost with developmental pressures recently. Just the recommendation itself led to changes such as declaring the walled city as no construction zone, continuing with INTACH inventorying, City Wall project, HIAs and adopting Architectural Control Guidelines. With inscription this will further ensure action on 6 points outlined by WHC and ICOMOS. This is the difference in enabling works in developed vis a vis developing countries that all in World heritage need to understand.
Three criteria's which makes Jaipur in World heritage list
Jaipur is an expression of the astronomical skills, living traditions, unique urban form and exemplary innovative city planning of an 18th century city from India.
Criterion (ii):
Jaipur is an exemplary development in town planning and architecture that demonstrates an amalgamation and important interchange of several ideas over the late medieval period. It shows an interchange of ancient Hindu, Mughal and contemporary Western ideas that resulted in the customized layout of the city. It is believed that Raja Jai Singh arrived at the final layout after a thorough analysis of several town plans sourced from across the globe. Following the grid-iron plan prevalent in the west but with traditional zoning, superimposed by the desire to rival Mughal cities, Jaipur reflected new concepts for a thriving trade and commerce hub that became a model for the later towns in the adjoining Shekhawati region and others parts of Western India.
Criterion (iv):
Jaipur represents a dramatic departure from extant medieval cities with its ordered, grid-like structure – broad streets, crisscrossing at right angles, earmarked sites for buildings, palaces, havelis, temples and gardens, neighborhoods designated for particular castes and occupations. The main markets, shops, havelis and temples on the main streets were constructed by the state, thus ensuring that a uniform street façade was maintained in Jaipur. The city planning of Jaipur remains a unique response to the terrain that amalgamates ideas from an ancient Indian treatise to contemporary global town plans and Imperial Mughal architecture to finally produce a monumental urban form, unparalleled in its scale and magnificence for its times. While the grid iron pattern of planning has been used historically in city planning, its application at such a monumental scale for a planned trade city, along with its particular urban form, makes it an important example in the history of urban planning of the Indian subcontinent. The continuity of the architecture and urban form is enhanced by the functions of trade and craftsmanship that reflect the living heritage character of this innovative urban settlement.
Criterion (vi):
Historically, the city is said to have housed “chattis karkhanas” (36 industries), the majority of which included crafts like gemstones, lac jewellery, stone idols, miniature paintings, each with a specified street and market some of which continue to exist. During 19th century, the local crafts received further momentum with British period influences in special exhibitions held in United Kingdom, establishment of institutions such as the Rajasthan School of Arts and Albert Hall Museum. While the local traditions of guilds continued, formal institutions for crafts, policies and programmes by Government and the private sector further contributed to national and international recognition of Jaipur crafts in the 20th and 21st centuries. There are 11 surviving crafts, and continuing building crafts of Jaipur contribute much to the conservation works of the city, and the renowned craftsmen from Jaipur continue to conserve and restore historic structures across many cities in India.
for more detail...
https://whc.unesco.org/en/list/1605/
https://www.facebook.com/airnewsalerts/v...246760580/
The walled city of Jaipur, in India’s north-western state of Rajasthan was founded in 1727 by Sawai Jai Singh II. Unlike other cities in the region located in hilly terrain, Jaipur was established on the plain and built according to a grid plan interpreted in the light of Vedic architecture. The streets feature continuous colonnaded businesses that intersect in the centre, creating large public squares called chaupars. Markets, shops, residences and temples built along the main streets have uniform facades. The city's urban planning shows an exchange of ideas from ancient Hindu and early modern Mughal as well as Western cultures. The grid plan is a model that prevails in the West, while the organization of the different city sectors (chowkris) refers to traditional Hindu concepts. Designed to be a commercial capital, the city has maintained its local commercial, artisanal and cooperative traditions to this day.
Definitely not for international visibility or UNESCO branding as it already has both. The sole intention of inscribing Jaipur on WH is to protect and safe gaurd its Outstanding Universal Value which seemed to be getting lost with developmental pressures recently. Just the recommendation itself led to changes such as declaring the walled city as no construction zone, continuing with INTACH inventorying, City Wall project, HIAs and adopting Architectural Control Guidelines. With inscription this will further ensure action on 6 points outlined by WHC and ICOMOS. This is the difference in enabling works in developed vis a vis developing countries that all in World heritage need to understand.
Three criteria's which makes Jaipur in World heritage list
Jaipur is an expression of the astronomical skills, living traditions, unique urban form and exemplary innovative city planning of an 18th century city from India.
Criterion (ii):
Jaipur is an exemplary development in town planning and architecture that demonstrates an amalgamation and important interchange of several ideas over the late medieval period. It shows an interchange of ancient Hindu, Mughal and contemporary Western ideas that resulted in the customized layout of the city. It is believed that Raja Jai Singh arrived at the final layout after a thorough analysis of several town plans sourced from across the globe. Following the grid-iron plan prevalent in the west but with traditional zoning, superimposed by the desire to rival Mughal cities, Jaipur reflected new concepts for a thriving trade and commerce hub that became a model for the later towns in the adjoining Shekhawati region and others parts of Western India.
Criterion (iv):
Jaipur represents a dramatic departure from extant medieval cities with its ordered, grid-like structure – broad streets, crisscrossing at right angles, earmarked sites for buildings, palaces, havelis, temples and gardens, neighborhoods designated for particular castes and occupations. The main markets, shops, havelis and temples on the main streets were constructed by the state, thus ensuring that a uniform street façade was maintained in Jaipur. The city planning of Jaipur remains a unique response to the terrain that amalgamates ideas from an ancient Indian treatise to contemporary global town plans and Imperial Mughal architecture to finally produce a monumental urban form, unparalleled in its scale and magnificence for its times. While the grid iron pattern of planning has been used historically in city planning, its application at such a monumental scale for a planned trade city, along with its particular urban form, makes it an important example in the history of urban planning of the Indian subcontinent. The continuity of the architecture and urban form is enhanced by the functions of trade and craftsmanship that reflect the living heritage character of this innovative urban settlement.
Criterion (vi):
Historically, the city is said to have housed “chattis karkhanas” (36 industries), the majority of which included crafts like gemstones, lac jewellery, stone idols, miniature paintings, each with a specified street and market some of which continue to exist. During 19th century, the local crafts received further momentum with British period influences in special exhibitions held in United Kingdom, establishment of institutions such as the Rajasthan School of Arts and Albert Hall Museum. While the local traditions of guilds continued, formal institutions for crafts, policies and programmes by Government and the private sector further contributed to national and international recognition of Jaipur crafts in the 20th and 21st centuries. There are 11 surviving crafts, and continuing building crafts of Jaipur contribute much to the conservation works of the city, and the renowned craftsmen from Jaipur continue to conserve and restore historic structures across many cities in India.
for more detail...
https://whc.unesco.org/en/list/1605/
https://www.facebook.com/airnewsalerts/v...246760580/
