Post Modernism - Robert Venturi & Dennis Scott Brown
#3

More about Vanna Venturi House, Philadelphia, PA, 1964


The contradiction between inside and outside, however, is not total: inside, the plan as a whole reflects the symmetrical consistency of the outside; outside, the perforations in the elevations reflect the circumstantial distortions within.

Concerning the inside, the plan is originally symmetrical with a central vertical core from which radiate two almost symmetrical diagonal walls that separate two end spaces in front from a major central space in back. This almost Palladian rigidity and symmetry is distorted, however, to accommodate to the particular needs of the spaces: the kitchen on the right, for instance, varies from the bedroom on the left.

[Image: vanna1.jpg]
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